I can across some notes the other day that outlined the rules for a matchup zone defense, they were created I believe by a high school coach and posted on the X's and O's forum. It can be run out of any formation (1-3-1, 2-3, 3-2, 1-2-2, etc...) and in my opinion, is probably easy enough to implement for any M2M or zone team. The idea of the matchup zone is play as much zone, but by covering a man at the same time. So without further delay, here they are:

P = point
L = takes first player to the left of P
R = takes first player to the right of P
M = matcher, takes any player right R or left of L on lowside
C = center, M2M in the paint on high side



Defining who guards who depends on who P guards. The matchup is framed around P and everyone else falls in line. Obviously, this matchup is easier with odd man fronts (1-3-1, 1-2-2) because the P is always up top. But it works with a 2-3 as well, depending on which side the offense usually brings the ball up on (right-hand, left-hand), P will play the appropriate side. The P does not have to matchup on the ball either.

Basic Switches:

As you've probably gathered, this matchup zone is based on the idea of constant switching, through the concept of bumping defenders. On all screens, cuts, and cut and replace, the defenders communicate and bump each other to maintain the formation. So, unlike a straight zone, each defender has a man to cover, but also a general area. As players without the ball move, the defenders move as well (all while also watching the ball), when you check moves outside of your area, you must bump him to your fellow defenders. Communication is key, you must communicate or the defense breaks down. Screens and cuts work the same way. There are 2 basic switches, on the perimeter and in the paint.

On the perimeter, any screen or cut is played the same way, with the ball and without. You move with your check until you reach another defenders area, then bump your check to the other defender. You wait until the other defender calls release before finalizing the switch.

In the paint, C is M2M and covers mostly the high side. M is on the low block running the baseline covering any right or left of R and L respectively. If the offense lines up with 2 high posts,

The M should get anyone going low. If the posts run an X cut, C and M call your basic switch each time with C taking the high, M taking the low.

Weakside Wing to Strongside Corner:

OK, so now that we have the basic screens/cuts figured out, time to go over the more complicated ones. The weakside wing cutting into the middle looking for a quick hit, then cutting to the corner. L is on helpside defense. M is strongside post. As O3 cuts, L follows to the middle of the post. L must communicate the switch, and M looks to switch and yells release for L to cover O5 in the post,

As the offense overloads, the defense reacts to the cuts, and each defender is once again matched up with a offensive player. M must take anyone on the baseline left or right, so obviously M must be very athletic. C stays with O4 whereever O4 goes, except if O4 goes to the low post, then C and L would quick switch,


Point Loop Cut to Strongside Corner:

A very common cut in zone offenses is the point loop cut. Slightly tricky here, but again, with good communication, it should work seamlessly. O1 passes to the wing, and cuts straight down the middle. P follows O1 into the paint. At this point, O1 approaches L's area so L drops down to replace P. L follows O1 through as O1 exits the paint. At this point, L calls switch and M takes O1 to the corner yelling 'release' for L to take O5,

So, you are back in almost the same as the weak to corner cut above. P has moved into helpside now checking O3. If O3 moves up to the point, P follows him up to the point,


Strongside Wing to Weakside Wing:

The last cut is the hardest one to cover because of the amount of off-ball movement. O2 cuts across the lane to opposite lane with the perimeter players cutting to fill. O2 passes to O4 in the corner and basket cuts. L follows into the lane but R drops down to cover as well and replace L. As O1 and O3 move, P moves with O1,

R calls 'release' and takes O2 to the weakside wing. L must sprint back to the strong side wing, taking O1 this time. Bumping P back to the top to take O3. All the while, if O5 drops down to the strongside post, O5 follows,


Final Thoughts:

Teams that scout you may resort to offenses that use a lot of cutting, like an X-zone offense. If your players get crossed up, you can always use a in-game call like base to go straight M2M or straight zone. Additionally, players should always be instructed to protect the paint first, then look to pickup their check afterwards if they get lost momentarily.

Because the matchup zone is relying on the basic relativity of players which doesn't change, you don't want to get too rigid on the roles. You adjust the matchup depending on your opponent, deciding how much help to give on the paint, which shooters you must close out on, etc.. The more zone look you show the better, because you are really playing M2M.

For more interesting perspectives on zone defenses from a M2M defensive-minded coach, take a look at Tubby Smith's DVD on Utilizing Zones. Coach Smith is currently the head coach at Minnesota.

This is probably mostly review or common sense for most of you coaches out there but since I was out the other day watching a youth practice and game with players who clearly did not have the fundamentals of rebounding down, I thought I would go over some basics and a couple of really easy drills for youth coaches to go through so that players get used to the idea of how the ball comes off the rim, how they should catch it, and how to block out.

The Basics:

Rebounding is all about attitude, determination, and aggressiveness. Some players have bodies that are better fitted to being successful rebounders (tall, long arms, high jumpers), but unless they have the right mindset, I've seen great athletes be average or below average rebounders because of their attitude. A great habit to constantly reinforce during practices is to keep the ball from hitting the floor at all during any rebounding situation.

For young players, they should be taught to rebound the ball with 2 hands at all times, and not to dribble the ball up to gain control. In other words, 2 hands, above the head, then chin the ball to secure it. Defensively, young players need to get into the habit of making contact each and every time on block outs. This is often a difficult concept for some girls which is all the more reason why it must be practiced.

1v0

Very basic here. 2 lines around the free-throw line. The coach shoots the ball to miss. Again, you should focus on:

- attacking the ball with 2 hands at all times
- rebounding the ball above the head, then rip it down
- using an athletic stance
- chin the ball to secure, outlet to coach


The coach switches to a different place after everyone has gone through once. Also make sure players observe how the ball caroms off the rim/backboard each time so that they can anticipate where the ball is likely to go based on where the shot is attempted from.

Over the Back 1v1

The natural progression from 1v0 is 1v1. The idea here is to pair up, one on offense, one on defense. The player behind is the offense and attempts to gain position to back-tip or outright gain the rebound. Therefore, the defense must make contact with their backside, maintain the balance while boxing out, then attacking the ball,


For more rebounding ideas, check out Jim Calhoun's new DVD on Rebounding and Basketball Wisdom. Coach Calhoun is the long time head coach of the UConn Huskies who made it to this season's Final Four in Detroit.


When I think of talent equalizers in basketball, I think of 2 things, tough hard-nosed defense and 3-point shooting. If I were to develop a high school program today, the most important skill I would have the pre-Varsity young players working on is proper shot technique. Unlike in college where you can openly recruit the best combination of athleticism and skill, in high school you are pretty much limited to the kids enrolled at the school. Whereas athleticism is mostly innate, shooting is a skill that can be taught and employed. Here are some notes I went through today of University of Florida coach Billy Donovan talking at a Nike clinic earlier this year on utilizing the 3-point shot,

At Florida, we try to gain an advantage at the three point line by creating situations offensively by using it and by taking it away defensively. What is the best way to do this offensively? At my level, get better shooters. At the high
school level, get your shooters better. Having a big man that can shoot creates so many offensive opportunities for your team

Four ways to get open 3-pointers:

1. Transition, push hard for early threes.
2. Dribble Penetration, drive and kick opportunities.
3. Post Kickouts, passing out of double-teams followed by ball reversal.
4. Offensive Rebounds, best time for open threes. Bigs feel that they’re entitled to shoot the ball off of an o-board, but this is a great time to find a shooter sprinting to spot up in an open area.

The more you force the defense to closeout on you, the greater chance you have of getting to the paint. So, your thinking offensively should be "how do I create closeout opportunities?" The flat ball screen is great because the defense has to go so deep under them to get through and also because if the ball screen is overplayed, it is so easy to switch the angle to catch the defense.

We want to keep the ball in the "alley" (middle of the court between the two elbows) because it prevents teams from establishing helpside.

Transition ideas:

A team changing from offense to defense is one of the most difficult things in basketball, therefore you must "Exploit this!"

-On a miss, free-for-all, score as quickly as possible.
-On a make, we want the ball the inbounded as quickly as possible by whichever big is closest to the ball and we want the ball advanced up the floor as quickly as possible as well.
-In practice, if the ball isn’t across half court in 3 seconds, it is an automatic turnover.
-No set lanes, we want players to play. Wings should run as wide as possible and sprint up the floor. If the two happen to be on the same side, it’s the 2nd player’s responsibility to call "push" and send the first wing through to the other side.
-Random ball screens. If our first big down the court is behind the ball or not in position to get the ball in the low post in transition, it’s an automatic flat ball screen for strongside wing (trailing big can run in to set a double).

For more ideas on incorporating the 3-pointer into your offense, check out Billy Donovan's DVD on Shooting and Defending the 3-pointer.


With all the bad publicity that college basketball coaches have been getting recently, its been hard not to become a complete cynic and write-off the whole damn thing. But as most of you have probably read by now, a feel-good story about Vanderbilt head coach Kevin Stallings "doing the right thing" by deferring $100K of a salary raise in order to fulfill his promise to his team that they would be going to Australia for a road trip this upcoming season, despite funding problems with Vandy's athletic department due to the current economic downturn.

Coach Stallings and his story remind me of that old adage "actions speak louder than words." We tell our players all the time, "don't just say it, do it," but do we as coaches practice what we preach? I know for myself I try to hold myself to a higher standard but I know that I can always do better. I am constantly evaluating my actions as a coach but also as a person to see how my actions are interpreted by the people around me and the students that I teach and coach in particular. Because ultimately, the actions you make will be reflected in the team that you coach and the players who play for you. Your actions will define who you are and how you are perceived.

In the 24-hour news cycle that we currently live in, its understandable why the negative stories get all the run and the positive stories get swept under the rug. I think of all the people I talk to everywhere and anywhere and I always listen to the great stories people like to tell about tremendous coaches, tremendous human beings doing great things each and every day. We should celebrate that, honor that. To remind each other as coaches of exactly why we got into coaching to begin with, and the greater responsibility which requires that we meet a higher standard as leaders in the community.

Found some good handwritten notes from a coaches clinic retreat several years ago where Coach Steve Alford, currently the head coach of New Mexico, talking about his 3-in 2-out motion offense (Download the video clip here). In my opinion, it is similar to the blocker-mover motion except it uses the 3-point line as the delineation instead of designating roles. I've inscribed them below:

1. 3 in, 2 out motion. The '3 in' players use the college 3 point line and 'in' as their domain. The '2 out' players use the above the college 3 point line and 'out' as their domain.

2. The '2 out' players can only become one of the '3 in' players if they are backscreened by a '3 in' player. Otherwise, the '2 out' players should be positioned above the college 3 point line.

3. The first screener always receives a screen after setting one.

4. The '2 out' players must be able to react and pass. If pressured, and as the '3 in' players move, driving opportunities will exist for these 2 players.

5. Breakdown drills '3 in' players play '3 on 3' live with the '2 out' players passing without defense. The '2 out' players play '2 on 2' live with the '3 in' players going 3 on 0 -- no defense. The '2 out' players work on getting open.

To learn more about the 2-out 3-in motion that New Mexico runs, take a look at Steve Alford's DVD on the 2-out 3-in Motion Offense.

Defensively, if there is one area that I haven't thought about too much in my past coaching experience is in the area of stunting and jump switching. I've done a lot of trapping and pressing both full court and half court but I think the idea of jump switching and hedging (fake switching). It can be incorporated into both zone and man defenses and its primary advantage is the element of surprise -- as an option call either from the bench or as an audible by your point guard.

Traditional Trap:

Here is your run of the mill full court trap, out of a M2M defense. X1 guides the dribbler towards the trap, X2 leaves his defender to trap O1. X3 splits O2 and O3 looking to intercept a lob pass,


Jump Switch:

The jump switch is a simple option you can add to change up your pressure defense. Works especially well after you've run a few traps and the offense has attempted to adjust by anticipating where the traps are coming from. As O1 dribbles toward the sideline, X2 runs at O1. Instead of the trap, X1 switches onto O2 leaving O1. The idea here is that O1 is anticipating the trap picking up the dribble to pass to O2. In doing so, X2 runs hard at O1 and gets into chest-to-chest hands-high position after O1 picks up the dribble. X1 is in hard denial looking to pickoff a bad pass. X3 and any other defender one pass away is also in hard denial,

If O1 manages to keep the dribble, X2 must continue ball pressure, but that is why it is essential for X2 to run at O1 under control. The jump switch can be re-run again.

Hedge (Fake Switch):

Another simple adjustment is to add a hedge or fake switch. The idea is for X2 to come at the dribbler like it is a trap or switch. The idea, like the switch, is to induce O1 to pick up the dribble to pass. Once X2 hedges, anticipates O1 picking up the dribble, X2 then recovers back to O2. O1 then gets chest-to-chest with high-hands making it very difficult for O1 to make a pass. All defenders one pass away are in hard denial,


If you're learning like me and want more information on run and jump techniques, you'll want to see Dean Smith's DVD on the Encyclopedia of the Scramble Defense. Coach Smith is the hall of fame former head coach of the University of North Carolina.

From NBA TV, this is a retro segment featuring the dynamic duo of John Stockton and Karl Malone during all those years together with the Utah Jazz. It's so rare to have 2 people so compatible for each other in so many ways, both athletically and basketball-wise, but also in personality. It doesn't even seem possible that we could ever see 2 players replicate what they brought to the game. Anyways, enjoy...